Volume 22

Marva Duerksen: Schenker's Organicism Revisited

Edward Gollin: On Bartók s Comparative Musicology as a Resource for Bartókian Analysis

Trevor Pearce: Tonal Functions and Active Synthesis: Hugo Riemann, German Psychology, and Kantian Epistemology

Frank Samarotto: Fludities of Phrase and Form in the "Intermezzo" of Brahms's First Symphony

Review: Entendez-vous la musique? Review of Peter Dayan: Music Writing Literature, from Sand via Debussy to Derrida. Aldershot: Ashgate, 2006. Review by Robert Samuels.