Th514 Berg

Berg book errata:

p. 24 Example 1.9: second stave, 8th chord should be A-C#-E

p. 24 Example 1.9: third stave last two chords should be D-F#-Bb, Eb-F,A

p. 24 Example 1.9: fourth stave, fourth chord in treble clef should be C-Gb-Bb

p. 29 line 7: should be "mm. 29ff."

p. 33: 5th line from the bottom: <B,F#,Eb,A,D> (not <B,F#,Eb,A,B>)

p. 37 bottom line: should be "^1,^#2,^5,^7,^#9 <D-A-F#-C-F>"

p. 41 bottom line of last full paragraphy should end "in the course of op. 2"

p. 42: fourth line of first full paragraph should be: "The bass interval 2 descents from C-Bb and Db to Db in mm. 12-13 (recalling the unique G-A bass motion in song I, mm. 17-18) set off . . .

p. 43 line 6: should be "appears with the rhythm of the initial vocal line in mm. 9-12 . . .

p. 50: 6th line from the bottom, "Act II, scene iv and Act III, scene iii" (not scene iv)

p. 59: 3rd para., add "pitch or pitch-class *groups* are etc."

p. 68 1st paragraph, 3rd-last-line should be
"Tn-classes and eight TnI-classes (excluding Tn[046], fig. 3.1).

p. 68 last paragraph, 2nd line should be: "music, however; most whole-tone"

p. 71 2nd line should be: "represent Marie's betrayal of Wozzeck); Andres's . . ."

p. 72, 2nd full paragraph, 2nd line: "system: odd intervals in combination yield even . . ."

p. 73, 1st paragraph, 3rd-last-line: "the focal point of G. In this . ."

p. 76, 1st paragraph, 4th-last-line: "trichord {Ab,C,F#} [026], associating . . ."

p. 76 2nd paragraph, 4th line: "of the scene is a 5 cycle+" (leave out "gapped")

p. 80: Ex. 3.5, stave 1 mm. 1-2, should be C# wt+ (not C wt+)

p.86, first full paragraph, line 7, should be: "ration from F4-C4 in mm.175-176" instead of "ration from F4-C4 in mm.174-175"

p. 89 bottom line, first word should be "to" not "or"

p. 90 Ex. 3.9 bottom stave, "Motive 4a [0123678]" should be "[01234678]"

p.93, Example 3.12: "Ab" should be above the Ab in m.31 instead of above the G in m.32

p. 96 line 2, should be "dyad {D,F#}), but also . . . (added closed parenthesis)

p. 96, 1st full paragraph, 4th last line, should be "<1-2-3-4> in <A4-Ab4, Gb4-E4 . . ."

p. 99 3rd last line should be "the close of the movement). (adding a close parenthesis)

p. 107 1st full paragraph, line 3: "(duple eighths to .." not "(two eighths to . .)"

p. 110 1st full paragraph, should be "a three-part ABA' form"

p. 121 first line: "cry of 'Verdammt' and a subito meno allegro in the"

p. 129: 3rd line: "includes variation forms, those in Act III are described as 'inventions' ."

p. 134 second last line: "contains links to the" not "links of the"

p. 142 7th last line: "organization for the presentation" not "of the presentation"

p. 145 8th last line, "all reappear in the second" should be just "all reappear"

p. 148: 3rd line "of the 'Anguish' movie). The return . ."

p. 162 2nd paragraph, 8th line, "pathetic 'Jawohl, Herr Hauptmann' ex. 3.1b)--and . . ."

p. 166 Ex. 3.36 3rd m. in "Klang" stave, first chord should be E3-Bb3-D4 (not B3-Db4-F4)

p. 169 Ex. 3.38 first chord, second stave C-G-B-Eb-A#

p. 169, Example 3.38 bass note in m. 9: G (not B)

p. 169: Ex. 3.38 second stave, first set is [014568] [F-E-B-Eb-G-C-E-F] (not [014589])

p. 172: 1st para., fourth last line - "Finally, the axis interval 6s" should be "Finally, all six interval 6s . . ."

p. 172: six lines from the bottom, add a parenthesis after "in m. 16.)"

p. 184, Ex. 3.41, 2nd stave, 3rd chord in RH, C4-Eb4-G4-B4-Bb5

p. 186 2nd last paragraph, 2nd last line, should be "(the initial notes of Alban Berg)"

p. 188 1st full paragraph, line 7, should be "m. 53); " (not m. 52)

p. 190, Ex. 3.43, 1st stave, 2nd last chord, bass clef: F-Bb-Eb-F-Ab-Bb

p. 203, 9th line:
"01 23 45 67 89 AB of P5 or PB are the same as those in 12 34 56 78 9A B(0) of"
should read
"12 34 56 78 9A B(0) of P5 or PB are the same as those in the same ops of"

p. 208, 1st full paragraph, line 5, should be "a diminished 5th [<Ab-Db-Eb . . ."

p. 245 2nd full paragraph, 4th line: should be "G-D> over <Ab-Db-Eb-Gb-Bb-B>. . . ."

p. 266 fourth last line end: should be "4 form (RI[2PA],"

p. 269 1st full paragraph, last sentence, change to
"The sixteenth rest is added to avoid the unison Bb3 with the cello on the third-to-last sixteenth of m. 49, but it then causes the octave Gbs with the violin. The cello Bb is part of the next set of canonic entries, row 2I5-2."

p. 367, Ex. 5.68a: upper staff label: should be "P2 ops:" (not P1 ops)

p. 411, n. 29: 4th line - add a close paren after "p. 143)."

p. 411, n. 29:11th line - add a double close paren after "pp. 46-47))."

p. 414 n. 19, fifth to fourth last lines, should be "between op. 5, no. 3 and Schoenberg's op. 19, no. 1" (not "no. 2")

p. 417 ft. 64: should be "sonata form" not "forum"

p. 420 ft 107, second line, no quote before "The textual parallel"