{"id":1648,"date":"2019-05-26T02:16:23","date_gmt":"2019-05-26T02:16:23","guid":{"rendered":"https:\/\/theory.esm.rochester.edu\/integral\/27-2013-copy-copy-copy-copy\/"},"modified":"2019-08-01T03:07:48","modified_gmt":"2019-08-01T03:07:48","slug":"8-1994","status":"publish","type":"page","link":"https:\/\/theory.esm.rochester.edu\/integral\/8-1994\/","title":{"rendered":"Volume 8 (1994)"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" style=\"text-align:left\">Michael Buchler and Nancy Rogers, editors<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Articles<\/strong><\/h2>\n\n\n\n<p style=\"text-align:left\">William Rothstein  | Ambiguity in the Themes of Chopin\u2019s First, Second, and Fourth Ballades  <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/8-1994\/8-rothstein\">PDF<\/a><\/p>\n\n\n\n<p>Alexandra Pierce  | Developing Schenkerian Hearing and Performing  <br> <a href=\"https:\/\/theory.esm.rochester.edu\/integral\/8-1994\/8-pierce\">PDF<\/a> <br><\/p>\n\n\n\n<p>David Beach | The Initial Movements of Mozart\u2019s Piano Sonatas K.280 and K.332: Some Striking Similarities <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/8-1994\/8-beach\">PDF<\/a><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Reviews<\/strong><\/h2>\n\n\n\n<p>Richard Kurth  | <em>An Introduction to the Music of Milton Babbitt<\/em>, by Andrew Mead, 1994 <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/8-1994\/8-kurth\">PDF<\/a><br><\/p>\n\n\n\n<p>Bo Alphonce   | <em>Musical Form and Transformation: 4 Analytic Essays<\/em>, by David Lewin, 1994  <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/8-1994\/8-alphonce\">PDF<\/a><br><\/p>\n\n\n\n<p>Massimo Ossi   | <em>Musical Poetics<\/em>, by Joachim Burmeister, translated by Benito Rivera, 1993  <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/8-1994\/8-ossi\">PDF<\/a><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michael Buchler and Nancy Rogers, editors Articles William Rothstein | Ambiguity in the Themes of Chopin\u2019s First, Second, and Fourth Ballades PDF Alexandra Pierce | Developing Schenkerian Hearing and Performing PDF David Beach | The Initial Movements of Mozart\u2019s Piano Sonatas K.280 and K.332: Some Striking Similarities PDF Reviews Richard Kurth | An Introduction to &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/8-1994\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 8 (1994)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-1648","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/comments?post=1648"}],"version-history":[{"count":7,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1648\/revisions"}],"predecessor-version":[{"id":4343,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1648\/revisions\/4343"}],"wp:attachment":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/media?parent=1648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}