{"id":1660,"date":"2019-05-26T02:17:32","date_gmt":"2019-05-26T02:17:32","guid":{"rendered":"https:\/\/theory.esm.rochester.edu\/integral\/27-2013-copy-copy-copy-copy-copy-copy-copy-copy-copy-copy\/"},"modified":"2019-08-01T02:56:12","modified_gmt":"2019-08-01T02:56:12","slug":"20-2006","status":"publish","type":"page","link":"https:\/\/theory.esm.rochester.edu\/integral\/20-2006\/","title":{"rendered":"Volume 20 (2006)"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" style=\"text-align:left\">Peter Franck and John Koslovsky, editors<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Articles<\/strong><\/h2>\n\n\n\n<p>Ryan McClelland  | Metric Dissonance in Brahms\u2019s Piano Trio in C Minor, Op. 101<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/20-2006\/20-mcclelland\">PDF<\/a><br><\/p>\n\n\n\n<p style=\"text-align:left\">John Roeder and Scott Alexander Cook  | Triadic Transformations and Parsimonius Voice Leading in the Music of Gavin Bryars  <br> <a href=\"https:\/\/theory.esm.rochester.edu\/integral\/20-2006\/20-roeder-and-cook\">PDF<\/a> <br><\/p>\n\n\n\n<p style=\"text-align:left\">Stephen C. Brown | Tracing the Origins of Shostakovich\u2019s Musical Motto   <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/20-2006\/20-brown\">PDF<\/a><\/p>\n\n\n\n<p>M\u00e1rta Grab\u00f3cz | Stylistic Evolution in Mozart\u2019s Symphonic Slow Movements: The Discursive-Passionate Schema (A Narrative Approach) <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/20-2006\/20-grabocz\">PDF<\/a><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Review<\/strong><\/h2>\n\n\n\n<p>William M. Marvin  | <i>Heinrich Schenker: A Guide to Research<\/i>, by Benjamin McKay Ayotte, and&nbsp;<i>A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices<\/i>, by David Carson Berry  <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/20-2006\/20-marvin\">PDF<\/a><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Peter Franck and John Koslovsky, editors Articles Ryan McClelland | Metric Dissonance in Brahms\u2019s Piano Trio in C Minor, Op. 101PDF John Roeder and Scott Alexander Cook | Triadic Transformations and Parsimonius Voice Leading in the Music of Gavin Bryars PDF Stephen C. Brown | Tracing the Origins of Shostakovich\u2019s Musical Motto PDF M\u00e1rta Grab\u00f3cz &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/20-2006\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 20 (2006)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-1660","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/comments?post=1660"}],"version-history":[{"count":9,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1660\/revisions"}],"predecessor-version":[{"id":4338,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1660\/revisions\/4338"}],"wp:attachment":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/media?parent=1660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}