{"id":1662,"date":"2019-05-26T02:17:43","date_gmt":"2019-05-26T02:17:43","guid":{"rendered":"https:\/\/theory.esm.rochester.edu\/integral\/27-2013-copy-copy-copy-copy-copy-copy-copy-copy-copy-copy-copy\/"},"modified":"2019-07-29T19:19:58","modified_gmt":"2019-07-29T19:19:58","slug":"22-2008","status":"publish","type":"page","link":"https:\/\/theory.esm.rochester.edu\/integral\/22-2008\/","title":{"rendered":"Volume 22 (2008)"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" style=\"text-align:left\">Jenine Lawson Brown and Michael Callahan, editors<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Articles<\/strong><\/h2>\n\n\n\n<p>Marva Duerksen  |  Schenker\u2019s Organicism Revisited <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/22-2008\/22-duerksen\">PDF<\/a><br><\/p>\n\n\n\n<p style=\"text-align:left\">Edward Gollin  | On Bart\u00f3k\u2019s Comparative Musicology as a Resource for Bart\u00f3kian Analysis  <br> <a href=\"https:\/\/theory.esm.rochester.edu\/integral\/22-2008\/22-gollin\">PDF<\/a> <br><\/p>\n\n\n\n<p style=\"text-align:left\">Trevor Pearce  | Tonal Functions and Active Synthesis: Hugo Riemann, German Psychology, and Kantian Epistemology   <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/22-2008\/22-pearce\">PDF<\/a><\/p>\n\n\n\n<p>Frank Samarotto  |  Fluidities of Phrase and Form in the \u201cIntermezzo\u201d of Brahms\u2019s First Symphony <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/22-2008\/22-samarotto\">PDF<\/a><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Review<\/strong><\/h2>\n\n\n\n<p>Robert Samuels  |   Entendez-vous la musique? Review of Peter Dayan: <em>Music Writing Literature, from Sand via Debussy to Derrida.<\/em>&nbsp;Aldershot: Ashgate, 2006.  <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/22-2008\/22-samuels\">PDF<\/a><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jenine Lawson Brown and Michael Callahan, editors Articles Marva Duerksen | Schenker\u2019s Organicism Revisited PDF Edward Gollin | On Bart\u00f3k\u2019s Comparative Musicology as a Resource for Bart\u00f3kian Analysis PDF Trevor Pearce | Tonal Functions and Active Synthesis: Hugo Riemann, German Psychology, and Kantian Epistemology PDF Frank Samarotto | Fluidities of Phrase and Form in the &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/22-2008\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 22 (2008)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-1662","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/comments?post=1662"}],"version-history":[{"count":8,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1662\/revisions"}],"predecessor-version":[{"id":4136,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1662\/revisions\/4136"}],"wp:attachment":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/media?parent=1662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}