{"id":1690,"date":"2019-05-28T12:42:42","date_gmt":"2019-05-28T12:42:42","guid":{"rendered":"https:\/\/theory.esm.rochester.edu\/integral\/32-2018-copy\/"},"modified":"2019-10-08T19:14:54","modified_gmt":"2019-10-08T19:14:54","slug":"1-1987","status":"publish","type":"page","link":"https:\/\/theory.esm.rochester.edu\/integral\/1-1987\/","title":{"rendered":"Volume 1 (1987)"},"content":{"rendered":"\n<h3 style=\"text-align:left\">John Adrian, editor<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Articles<\/strong><\/h2>\n\n\n\n<p>David Beach | Motivic Repetition in Beethoven&#8217;s Piano Sonata Op. 110, Part I: The First Movement<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/1-1987\/1-beach\">PDF<\/a><\/p>\n\n\n\n<p>Edward T. Cone | Brahms: Songs with Words and Songs Without Words<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/1-1987\/1-cone\">PDF<\/a><\/p>\n\n\n\n<p>Robert W. Wason | Webern&#8217;s <em>Variations for Piano<\/em>, Op. 27: Musical Structure and the Performance Score <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/1-1987\/1-wason\">PDF<\/a><\/p>\n\n\n\n<p>Jay Rahn | Music in Theory and Practice: A Behavioral View <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/1-1987\/1-rahn\">PDF<\/a><\/p>\n\n\n\n<p>Abram Loft | The Larger View  <br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/1-1987\/1-loft\">PDF<\/a><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Reviews<\/strong><\/h2>\n\n\n\n<p>Alexander R. Brinkman | Review of <em>Microcomputers and Music<\/em>, by Gary E. Wittlich, John W. Schaffer, and Larry R. Babb, 1986<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/1-1987\/1-brinkman\">PDF<\/a><\/p>\n\n\n\n<p>Steven Block | Review of <em>Sound Color<\/em>, by Wayne Slawson, 1985<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/1-1987\/1-block\">PDF<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>John Adrian, editor Articles David Beach | Motivic Repetition in Beethoven&#8217;s Piano Sonata Op. 110, Part I: The First MovementPDF Edward T. Cone | Brahms: Songs with Words and Songs Without WordsPDF Robert W. Wason | Webern&#8217;s Variations for Piano, Op. 27: Musical Structure and the Performance Score PDF Jay Rahn | Music in Theory &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/1-1987\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 1 (1987)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-1690","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/comments?post=1690"}],"version-history":[{"count":19,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1690\/revisions"}],"predecessor-version":[{"id":4710,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1690\/revisions\/4710"}],"wp:attachment":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/media?parent=1690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}