{"id":1965,"date":"2019-06-11T02:01:30","date_gmt":"2019-06-11T02:01:30","guid":{"rendered":"https:\/\/theory.esm.rochester.edu\/integral\/5-1991-copy\/"},"modified":"2019-07-18T16:59:36","modified_gmt":"2019-07-18T16:59:36","slug":"7-1993","status":"publish","type":"page","link":"https:\/\/theory.esm.rochester.edu\/integral\/7-1993\/","title":{"rendered":"Volume 7 (1993)"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" style=\"text-align:left\">Nancy Rogers, editor<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Articles<\/strong><\/h2>\n\n\n\n<p>Cynthia J. Folio | Analysis and Performance: A Study in <em>Contrasts<\/em><br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/7-1993\/7-folio\">PDF<\/a><br><\/p>\n\n\n\n<p>Robert S. Hatten | Schubert the Progressive: The Role of Resonance and Gesture in the Piano Sonata in A, D. 959<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/7-1993\/7-hatten\">PDF<\/a><br><\/p>\n\n\n\n<p>Kevin Korsyn | Schenker&#8217;s Organicism Reexamined<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/7-1993\/7-korsyn\">PDF<\/a><br><\/p>\n\n\n\n<p>Heather Platt | Unrequited Love and Unrealized Dominants<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/7-1993\/7-platt\">PDF<\/a><br><\/p>\n\n\n\n<p>Roberto Antonio Saltini | Structural Levels and Choice of Beat-Class Sets in Steve Reich\u2019s Phase-Shifting Music<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/7-1993\/7-saltini\">PDF<\/a><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Reviews<\/strong><\/h2>\n\n\n\n<p>Nadine Hubbs | Review of <em>A Guide to Schenkerian Analysis<\/em>, by David Neumeyer and Susan Tepping, 1992<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/7-1993\/7-hubbs\">PDF<\/a><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nancy Rogers, editor Articles Cynthia J. Folio | Analysis and Performance: A Study in ContrastsPDF Robert S. Hatten | Schubert the Progressive: The Role of Resonance and Gesture in the Piano Sonata in A, D. 959PDF Kevin Korsyn | Schenker&#8217;s Organicism ReexaminedPDF Heather Platt | Unrequited Love and Unrealized DominantsPDF Roberto Antonio Saltini | Structural &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/7-1993\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 7 (1993)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-1965","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/comments?post=1965"}],"version-history":[{"count":4,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1965\/revisions"}],"predecessor-version":[{"id":3776,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1965\/revisions\/3776"}],"wp:attachment":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/media?parent=1965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}