{"id":1989,"date":"2019-06-11T02:16:26","date_gmt":"2019-06-11T02:16:26","guid":{"rendered":"https:\/\/theory.esm.rochester.edu\/integral\/7-1993-copy\/"},"modified":"2019-07-18T17:00:45","modified_gmt":"2019-07-18T17:00:45","slug":"9-1995","status":"publish","type":"page","link":"https:\/\/theory.esm.rochester.edu\/integral\/9-1995\/","title":{"rendered":"Volume 9 (1995)"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" style=\"text-align:left\">Norman Carey and Su Yin Mak, editors<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Articles<\/strong><\/h2>\n\n\n\n<p>Gregory J. Marion | Inciting Transformational Insights<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/9-1995\/9-marion\">PDF<\/a><br><\/p>\n\n\n\n<p>Robert D. Morris | The Structure of First-Species Canon in Modal, Tonal and Atonal Musics<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/9-1995\/9-morris\">PDF<\/a><br><\/p>\n\n\n\n<p>Gordon Sly | The Architecture of Key and Motive in a Schubert Sonata<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/9-1995\/9-sly\">PDF<\/a><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Reviews<\/strong><\/h2>\n\n\n\n<p>Robert O. Gjerdingen | Review of <em>Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents<\/em>, by Daniel Harrison, 1994<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/9-1995\/9-gjerdingen\">PDF<\/a><br><\/p>\n\n\n\n<p>Robert Gauldin | Review of <em>Analyzing Fugue: A Schenkerian Approach<\/em>, by William Renwick, 1995<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/9-1995\/9-gauldin\">PDF<\/a><br><\/p>\n\n\n\n<p>Steven Laitz | Review of <em>Poetry into Song: Performance and Analysis of Lieder<\/em>, by Deborah Stein and Robert Spillman, 1996<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/9-1995\/9-laitz\">PDF<\/a><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Norman Carey and Su Yin Mak, editors Articles Gregory J. Marion | Inciting Transformational InsightsPDF Robert D. Morris | The Structure of First-Species Canon in Modal, Tonal and Atonal MusicsPDF Gordon Sly | The Architecture of Key and Motive in a Schubert SonataPDF Reviews Robert O. Gjerdingen | Review of Harmonic Function in Chromatic Music: &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/9-1995\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 9 (1995)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-1989","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/comments?post=1989"}],"version-history":[{"count":6,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1989\/revisions"}],"predecessor-version":[{"id":3780,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/1989\/revisions\/3780"}],"wp:attachment":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/media?parent=1989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}