{"id":2094,"date":"2019-06-11T14:48:09","date_gmt":"2019-06-11T14:48:09","guid":{"rendered":"https:\/\/theory.esm.rochester.edu\/integral\/13-1999-copy\/"},"modified":"2019-07-29T20:03:58","modified_gmt":"2019-07-29T20:03:58","slug":"14-15-2000-2001","status":"publish","type":"page","link":"https:\/\/theory.esm.rochester.edu\/integral\/14-15-2000-2001\/","title":{"rendered":"Volume 14\/15 (2000-2001)"},"content":{"rendered":"\n

Philip Chang and Panayotis Mavromatis, editors<\/h3>\n\n\n\n

Forum: Music Theory at the Turn of the Millennium<\/strong><\/h2>\n\n\n\n

Introduction
PDF<\/a>
<\/p>\n\n\n\n

Allen Forte | Music Theory: Today and Tomorrow
PDF<\/a>
<\/p>\n\n\n\n

Michael Cherlin | Three Challenges for Music Theory in Our Time
PDF<\/a>
<\/p>\n\n\n\n

Thomas Christensen | Music Theory and the Mainstream
PDF<\/a>
<\/p>\n\n\n\n

Nicholas Cook | Revisiting the Future
PDF<\/a>
<\/p>\n\n\n\n

Ian Cross | Music(s), Science(s), and Post-Positivist Pluralities
PDF<\/a>
<\/p>\n\n\n\n

Judy Lochhead | Music Theory as Knowledge Building
PDF<\/a>
<\/p>\n\n\n\n

Daniel Harrison | A Story, An Apologia, and A Survey
PDF<\/a>
<\/p>\n\n\n\n

Robert Morris | Autocommentary: Thoughts on Music Theory at the Millennium
PDF<\/a>
<\/p>\n\n\n\n

Andrew Mead | The \u201cSweet Spot\u201d: What Composing Has Taught Me about Teaching Theory
PDF<\/a>
<\/p>\n\n\n\n

Cristle Collins Judd | The Dialogue of Past and Present: Approaches to Historical Music Theory
PDF<\/a>
<\/p>\n\n\n\n

Kofi Agawu | Embracing the Non-West
PDF<\/a>
<\/p>\n\n\n\n

Benjamin Boretz | Thinking About Theory, Theories, and \u201cthe Musical\u201d in Music
PDF<\/a>
<\/p>\n\n\n\n

Robert S. Hatten | A New Frontier for Music Theorists
PDF<\/a>
<\/p>\n\n\n\n

Matthew Brown | Music Theory, Music Cognition, and \u201cThe Case of Iguanodon\u2019s<\/em> Thumb\u201d
PDF<\/a>
<\/p>\n\n\n\n

Articles<\/strong><\/h2>\n\n\n\n

David Lewin | All Possible GZ-Related 4-Element Pairs of Sets, in All Possible Commutative Groups, Found and Categorized
PDF<\/a>
<\/p>\n\n\n\n

Mark Anson-Cartwright | Haydn’s Hidden Homage to Mozart: Echoes of “Voi che sapete” in Opus 64, No. 3
PDF<\/a>
<\/p>\n\n\n\n

Margaret Thomas | Nancarrow’s “Temporal Dissonance”: Issues of Tempo Proportions, Metric Synchrony, and Rhythmic Strategies
PDF<\/a>
<\/p>\n\n\n\n

Marianne Wheeldon | Interpreting “strong moments” in Debussy’s “La terrasse des audiences du clair de lune”
PDF<\/a>
<\/p>\n\n\n\n

Jack Boss | The “Musical Idea” and Global Coherence in Schoenberg’s Atonal and Serial Music
PDF<\/a>
<\/p>\n\n\n\n

Gretchen Horlacher | Multiple Meters and Metrical Processes in the Music of Steve Reich
PDF<\/a>
<\/p>\n\n\n\n

Review<\/strong><\/h2>\n\n\n\n

Joel Galand | Review of Analysis Through Composition: Principles of the Classical Style<\/em>, by Nicholas Cook, 1996
PDF<\/a>
<\/p>\n","protected":false},"excerpt":{"rendered":"

Philip Chang and Panayotis Mavromatis, editors Forum: Music Theory at the Turn of the Millennium IntroductionPDF Allen Forte | Music Theory: Today and TomorrowPDF Michael Cherlin | Three Challenges for Music Theory in Our TimePDF Thomas Christensen | Music Theory and the MainstreamPDF Nicholas Cook | Revisiting the Future PDF Ian Cross | Music(s), Science(s), … <\/p>\n

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