{"id":2176,"date":"2019-06-11T16:03:58","date_gmt":"2019-06-11T16:03:58","guid":{"rendered":"https:\/\/theory.esm.rochester.edu\/integral\/13-1999-copy\/"},"modified":"2019-07-18T17:07:42","modified_gmt":"2019-07-18T17:07:42","slug":"21-2007","status":"publish","type":"page","link":"https:\/\/theory.esm.rochester.edu\/integral\/21-2007\/","title":{"rendered":"Volume 21 (2007)"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" style=\"text-align:left\">John Koslovsky and Jenine Lawson, editors<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Articles<\/strong><\/h2>\n\n\n\n<p>Matthew Bribitzer-Stull and Robert Gauldin | Hearing Wagner in <em>Till Eulenspiegel<\/em>: Strauss&#8217;s Merry Pranks Reconsidered<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/21-2007\/21-bribitzer-stull-gauldin\">PDF<\/a><br><\/p>\n\n\n\n<p>Clifton Callender | Interactions of the Lamento Motif and Jazz Harmonies in Gy\u00f6rgy Ligeti&#8217;s <em>Arc-en-ciel<\/em><br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/21-2007\/21-callender\">PDF<\/a><br><\/p>\n\n\n\n<p>Guy Capuzzo | Registral Constraints on All-Interval Rows in Elliott Carter&#8217;s <em>Changes<\/em><br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/21-2007\/21-capuzzo\">PDF<\/a><br><\/p>\n\n\n\n<p>Peter H. Smith | New Perspectives on Brahms&#8217;s Linkage Technique<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/21-2007\/21-smith\">PDF<\/a><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Review Article<\/strong><\/h2>\n\n\n\n<p>Julian Hook | David Lewin and the Complexity of the Beautiful (Review Article of <em>Generalized Musical Intervals and Transformations<\/em> and <em>Musical Form and Transformation: 4 Analytic Essays<\/em>, by David Lewin, Reprinted 2007)<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/21-2007\/21-hook\">PDF<\/a><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>John Koslovsky and Jenine Lawson, editors Articles Matthew Bribitzer-Stull and Robert Gauldin | Hearing Wagner in Till Eulenspiegel: Strauss&#8217;s Merry Pranks ReconsideredPDF Clifton Callender | Interactions of the Lamento Motif and Jazz Harmonies in Gy\u00f6rgy Ligeti&#8217;s Arc-en-cielPDF Guy Capuzzo | Registral Constraints on All-Interval Rows in Elliott Carter&#8217;s ChangesPDF Peter H. Smith | New Perspectives &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/21-2007\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 21 (2007)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-2176","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/2176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/comments?post=2176"}],"version-history":[{"count":6,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/2176\/revisions"}],"predecessor-version":[{"id":3798,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/2176\/revisions\/3798"}],"wp:attachment":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/media?parent=2176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}