{"id":2217,"date":"2019-06-11T17:18:53","date_gmt":"2019-06-11T17:18:53","guid":{"rendered":"https:\/\/theory.esm.rochester.edu\/integral\/23-2009-copy\/"},"modified":"2019-07-29T20:17:36","modified_gmt":"2019-07-29T20:17:36","slug":"25-2011","status":"publish","type":"page","link":"https:\/\/theory.esm.rochester.edu\/integral\/25-2011\/","title":{"rendered":"Volume 25 (2011)"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" style=\"text-align:left\">Justin Lundberg and Andrew Aziz, editors<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Articles<\/strong><\/h2>\n\n\n\n<p>Hiu-Wah Au | The Prolongational Function of Secondary-Key Variations in Brahms&#8217;s <em>Variations for Four Hands on a Theme of Robert Schumann<\/em>, Op. 23<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/25-2011\/25-au\">PDF<\/a><br><\/p>\n\n\n\n<p>Guillaume Laroche | Striking Similarities: Toward a Quantitative Measure of Melodic Copyright Infringement<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/25-2011\/25-laroche\">PDF<\/a><br><\/p>\n\n\n\n<p>David H. Smyth and Don Traut | Stravinsky&#8217;s Sketches for the <em>Great Chorale<\/em><br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/25-2011\/25-smyth-traut\">PDF<\/a><br><\/p>\n\n\n\n<p>Steven Vande Moortele | Sentences, Sentence Chains, and Sentence Replication: Intra- and Interthematic Formal Functions in Liszt&#8217;s Weimar Symphonic Poems<br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/25-2011\/25-vandemoortele\">PDF<\/a><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:left\"><strong>Review Article<\/strong><\/h2>\n\n\n\n<p>Henry Klumpenhouwer | History and Structure in Richard Cohn&#8217;s <em>Audacious Euphony<\/em><br><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/25-2011\/25-klumpenhouwer\">PDF<\/a><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Justin Lundberg and Andrew Aziz, editors Articles Hiu-Wah Au | The Prolongational Function of Secondary-Key Variations in Brahms&#8217;s Variations for Four Hands on a Theme of Robert Schumann, Op. 23PDF Guillaume Laroche | Striking Similarities: Toward a Quantitative Measure of Melodic Copyright InfringementPDF David H. Smyth and Don Traut | Stravinsky&#8217;s Sketches for the Great &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/theory.esm.rochester.edu\/integral\/25-2011\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Volume 25 (2011)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-2217","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/2217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/comments?post=2217"}],"version-history":[{"count":12,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/2217\/revisions"}],"predecessor-version":[{"id":4227,"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/pages\/2217\/revisions\/4227"}],"wp:attachment":[{"href":"https:\/\/theory.esm.rochester.edu\/integral\/wp-json\/wp\/v2\/media?parent=2217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}